[F212.Ebook] Download Ebook The Good Housekeeping Illustrated Cookbook, by Zoe Coulson

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Vintage 1980 cookbook. This cookbook was planned so that even a beginning cook could successfully use the recipes simply by following the diagrams of the steps along with the recipe itself. All the fundamental techniques are illustrated, from folding in egg whites, to kneading bread, rolling piecrusts, decorating cakes and cookies, and even boning meat and poultry. A classic general American cookbook.

• Sales Rank: #32031 in Books
• Brand: Hearst Books
• Published on: 1980-09-30
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 512 pages

Features

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Most helpful customer reviews

0 of 0 people found the following review helpful.
Great Kitchen Resource
By Andrew C. Headley
Great resource for any kitchen. Very good illustrations, detailed instructions, if its your first time trying to prepare a certain dish it comes in handy giving you a detailed guide and from there you can put your stamp on the food you are creating.

6 of 6 people found the following review helpful.
Love the cookbook...
By The-muse0
I used this cookbook for the first time when I was 10. I was handed the cookbook and left alone... I made my first homemade cherry pie to go with Thanksgiving dinner that day! It is great for all people, from just starting out to advanced cooks. It gives you step by step images and written instructions. I have a friend that wanted to learn to cook... So I purchased a copy for her. She is really enjoying the ease of cooking! It is a must in any cookbook collection! Good Housekeeping Illustrated Cookbook

0 of 0 people found the following review helpful.
Four Stars
By Natalie
Best pancake recipe is in this cookbook, and like the vintage illustrations, but arrived without dustjacket.

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Provides a dazzling array of useful tips to get the performances you want from your actors.

• Sales Rank: #1556867 in Books
• Brand: Brand: Michael Wiese Productions
• Published on: 2011-09-01
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .48" w x 5.98" l, .79 pounds
• Binding: Paperback
• 230 pages

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Most helpful customer reviews

6 of 7 people found the following review helpful.
Written for directors, brilliant for writers
By Chad Gervich
While Mark Travis's book is written for directors, it's an unsurpassed tool for screenwriters as well. It's a wonderful glimpse into the mind of a director, literally revealing the tricks directors use to communicate with-- and even "manipulate"-- writers and performers. As a tool for writers, it not only clues you in on what directors are thinking, what they need from scenes and performers, etc. but it's a straightforward director-writer dictionary. Thus, you can not only help make your communications director-proof... but you can make your scripts director-proof as well. By approaching and rewriting with the eye of a director, you'll not only make the story and the writing stronger, you'll ensure you tell the story YOU want to tell... not a story vulnerable to tweaking and twisting by others down the road.

1 of 1 people found the following review helpful.
This is a "Must Have" book!
By Valerie T. Swanson
This was such a well written book with amazingly logical insights. I own (and have read) many books on the subject of Directing. I occasionally find myself "in mental arguments" with advice being given for working with actors, but Mr. Travis clearly has a very long background working with talent. His suggestions are now in my own "Bag Of Tricks!"

1 of 1 people found the following review helpful.
Extraordinary!
By Jefe de Pugs
This is insightful, useful, and well written. If you have any interest in making movies , this is a remarkable piece of work. The title makes it sound more trivial than it is. More accurately it could be called Film Directing Techniques, but I doubt that would sell many copies. As how-to books go, this is one of the best I've ever read.

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• Sales Rank: #681451 in Books
• Published on: 2008-10-09
• Released on: 2008-10-09
• Original language: English
• Dimensions: 9.00" h x .42" w x 6.00" l, .70 pounds
• Binding: Paperback
• 184 pages

About the Author
Michael T. Zabec, is Executive Vice President of Homeview Contractors, Inc. He has been involved in sales for the past 35 years. He has been Salesman of the Year too many times to count, and has been doing motivational speaking throughout the United States for a number of different sales organizations. He has taught sales to people who now own their own companies and have incomes of more than $500,000.00. Michael hosts a radio talk show called Your Home, Your Views on Baltimore’s WCBM 680. He is well known in the sales field and considered to be among the industry’s best in-home closers.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Absolutely Excellent!
By Edward J. Barton
An absolutely excellent book on in-home sales, especially in the home improvement arena. Zabec takes you through a ten step sales process that provides tie downs, talk offs, rapport building and solid sales strategies. All the while, he emphasizes the need to soft close and emphasizes that the days of the hard pressure close are now dead. His emphasis on selling the right product to the right customers at the right value really resonates, as do his suggestions for overcoming "typical" objections. This will be a staple for our training, as it teaches sales effectively and the "right" way to maintain a great reputation and excellent customer service.

1 of 1 people found the following review helpful.
If your serious about home improvement selling then don't go another day without ordering this book.
By sam
My sales have sky rocked since reading this book. I have been through it several times over and continue to read 1 step a day to keep it ingrained in my mind.

2 of 2 people found the following review helpful.
A Gem
By David Firestone
As someone who has also read numerous sales books, I agree that this book is a gem. It has great practical advise to serve your customers and your bottom line with integrity.

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• Published on: 1965
• Binding: Paperback

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• Sales Rank: #998243 in Books
• Published on: 2010-11-04
• Original language: Japanese
• Number of items: 1
• Dimensions: 6.80" h x .70" w x 4.50" l, .30 pounds
• Binding: Comic
• 215 pages

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1 of 1 people found the following review helpful.
Great buy!
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Shipping Container (Object Lessons), by Craig Martin

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Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.

The shipping container is all around: whizzing by on the highway, trundling past on rails, unloading behind a big box store even as you shop there, clanking on the docks just out of sight?. 90% of the goods and materials that move around the globe do so in shipping containers. It is an absolutely ubiquitous object, even if most of us have no direct contact with it. But what is this thing? Where has it been, and where is it going? Craig Martin's book illuminates the "development of containerization??-including design history, standardization, aesthetics, and a surprising speculative discussion of the futurity of shipping containers.

Object Lessons is published in partnership with an essay series in the The Atlantic.

• Sales Rank: #1242811 in eBooks
• Published on: 2016-01-28
• Released on: 2016-01-28
• Format: Kindle eBook

Review

"The Object Lessons series achieves something very close to magic: the books take ordinary―even banal―objects and animate them with a rich history of invention, political struggle, science, and popular mythology. Filled with fascinating details and conveyed in sharp, accessible prose, the books make the everyday world come to life. Be warned: once you've read a few of these, you'll start walking around your house, picking up random objects, and musing aloud: 'I wonder what the story is behind this thing?'"―Steven Johnson, best-selling author of How We Got to Now: Six Innovations That Made the Modern World

"The Object Lessons project, edited by game theory legend Ian Bogost and cultural studies academic Christopher Schaberg, commissions short essays and small, beautiful books about everyday objects from shipping containers to toast. The Atlantic hosts a collection of "mini object-lessons", brief essays that take a deeper look at things we generally only glance upon ('Is bread toast only insofar as a human toaster perceives it to be "done?" Is bread toast when it reaches some specific level of nonenzymatic browning?'). More substantive is Bloomsbury's collection of small, gorgeously designed books that delve into their subjects in much more depth." ―Cory Doctorow, Boing Boing

About the Author
Craig Martin is Senior Lecturer in Design Cultures at The University of Edinburgh, UK. He is the co-editor, with J. Rugg, of Spatialities: The Geographies of Art & Architecture (2011).

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[N178.Ebook] Ebook Free Engineering Turbulence Modelling and Experiments 5, by W. Rodi, N. Fueyo

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Turbulence is one of the key issues in tackling engineering flow problems. As powerful computers and accurate numerical methods are now available for solving the flow equations, and since engineering applications nearly always involve turbulence effects, the reliability of CFD analysis depends increasingly on the performance of the turbulence models.
This series of symposia provides a forum for presenting and discussing new developments in the area of turbulence modelling and measurements, with particular emphasis on engineering-related problems. The papers in this set of proceedings were presented at the 5th International Symposium on Engineering Turbulence Modelling and Measurements in September 2002. They look at a variety of areas, including: Turbulence modelling; Direct and large-eddy simulations; Applications of turbulence models; Experimental studies; Transition; Turbulence control; Aerodynamic flow; Aero-acoustics; Turbomachinery flows; Heat transfer; Combustion systems; Two-phase flows. These papers are preceded by a section containing 6 invited papers covering various aspects of turbulence modelling and simulation as well as their practical application, combustion modelling and particle-image velocimetry.

• Sales Rank: #15761731 in Books
• Published on: 2002-09-04
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x 6.75" w x 1.75" l, .0 pounds
• Binding: Hardcover
• 1028 pages

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[W504.Ebook] Ebook Free Emily Dickinson: Personae and Performance, by Elizabeth Phillips

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Giving us a new sense of Dickinson’s ways of being in her world, this book traces the perceptions of that world in the poetry and contributes to our pleasure in the performance of a virtuoso. Elizabeth Philips shows the imaginative uses the poet made of her own life but also the verifiable use of her responses to others—personal friends and relatives, historical and literary figures, and “nature’s people”—in the play of language that registered her insights. The book is not a biography; it considers, instead, evidence of the poet’s character and her character as a poet. Dickinson emerges as less self-enclosed and enigmatic than she is frequently assumed to be.

Phillips is among those who reject the view of the poet as a psychologically disabled, perhaps mad woman who withdrew into herself because of some devastating emotional experience, presumably love that went wrong. She questions the common desire to connect the texts with a trauma for which the center is missing. While Dickinson pursued the vocation of a poet, she was actively engaged in much else that required stamina and resourcefulness. A woman in a 19th-century household, for instance, was not a woman of leisure; Dickinson bore a heavy share of domestic duties and familial responsibilities throughout most of her life. The crisis she experienced during the early 1860s, in a cluster of responses to the Civil War, coincided with the onset of her difficulties with her eyes. Suffering from exotropia and photophobia, she never fully recovered and gradually withdrew into the less severe light of the house in Amherst. She continued to care for those close to her and to write both letters and verse.

From the perspective of Dickinson’s maturity and resilience, we also see her gift for depicting and dramatizing episodes in a manner that gives the illusion of their being autobiographical whether they are or not. Dickinson was, however, an actress who changed roles and points of view as readily as she experimented with poetic genres. Analyses of her various personae (or “supposed persons”) for dramatic monologues in the Browning tradition—which enabled the poet to represent a range of experiences different form her own—serve to dispel much of the confusion that has surrounded her in the last century. Rather than searching for an illusive absent center, Phillips scrutinizes in a most revealing way the poet’s reading, appropriation, and command of materials from the Bront�s, George Eliot, Hawthorne, the Brownings, Shakespeare, and the Southey for personae that introduce us to a Dickinson heretofore hardly glimpsed. A central vision of the study is the poet as a biographer of souls.

• Sales Rank: #6158355 in Books
• Published on: 2004-06-11
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .88" w x 6.00" l, .86 pounds
• Binding: Paperback
• 264 pages

Review

“In this beautifully written, refreshingly insightful explication of Dickinson’s work, Phillips argues that the Amherst poet . . . ‘assumed many personae,’ and that ‘the experiences in the poems are often transformations of episodes in the lives of personal friends, literary characters, and historical figures for whom a fictive I is only a convenient term.'”

—Nineteenth-Century Literature

“Although the intention of this book is not strictly biographical, the life of Dickinson is vividly portrayed and realistically interpreted. Instead of the stereotypical image of Emily Dickinson as the New England Nun, we see instead a real woman living quietly and working hard at home, full of concern for those she loves, deeply affected by the issues of her day, interacting intensely with the world around her through poetry and letters. Phillips challenges many of those interpretations of Dickinson's life and poetry that have become almost standard and universally accepted . . . . This is an important book for the Dickinson scholar who will recognize immediately the debates and controversies among Dickinson scholars that Phillips gracefully refers to and very adequately challenges.”

—Choice

About the Author

Elizabeth Phillips is Professor Emerita of English at Wake Forest University. She is the author of Marianne Moore (1982).

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By Margaret andersen
What a fabulous story of true genius.

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