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This Earth of Mankind (Buru Quartet), by Pramoedya Ananta Toer
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Minke is a young Javanese student of great intelligence and ambition. Living equally among the colonists and colonized of 19th-century Java, he battles against the confines of colonial strictures. It is his love for Annelies that enables him to find the strength to embrace his world.
- Sales Rank: #322803 in Books
- Published on: 1996-05-01
- Released on: 1996-05-01
- Original language: English
- Number of items: 1
- Dimensions: 7.70" h x .60" w x 5.00" l, .55 pounds
- Binding: Paperback
- 368 pages
From Publishers Weekly
Toer ( The Fugitive ), an Indonesian novelist and political dissident, began this novel as a series of stories told to fellow political prisoners held on Buru Island. The tale is narrated mostly by a brilliant young student, Minke, a native among Dutch colonialists and mixed-bloods in turn-of-the-century Java. He becomes involved, romantically and otherwise, with a wealthy family headed by a tough, self-educated concubine. Minke's love for her beautiful daughter draws him into conflict with colonial legal authorities, his own highly placed father and the girl's sinister brother. The richly textured depictions of the East Indies mercantile life and social ills as well as family tensions suggest Conrad and Dickens, but the novel's striking echoes of an oral culture and folklore are Toer's own. The result is simultaneously a compelling romantic tragedy and a moving dramatization of the pressures of race and class that inform the colonial situation.
Copyright 1991 Reed Business Information, Inc.
From Library Journal
Protagonist Minke is due all the honors of a Dutch high school graduate in his native Java. Though the 20th century is just dawning, he is a champion of science, technology, and openness amongst the many ethnic levels of Java's colonial society. Himself a Native, Minke marries Annelies, a Mixed-Blood daughter of an astute concubine, one whose owner has left her alone to develop and manage a vast business. When Minke moves in with Annelies and her mother, they form a family at once perfect within yet challenged from without by racial and legal threats that eventually destroy them all. Toer's novel is a beautiful archetype of the evils inherent in colonial and racially stratified societies. The novel was written during Toer's 14 years as a political prisoner, and his continuing city arrest in Jakarta is testimony to its power. Such extraordinary struggle has produced a novel worthy of its author's sacrifice.
- Paul E. Hutchison, Pequea, Pa.
Copyright 1991 Reed Business Information, Inc.
From Kirkus Reviews
The first US publication of a somewhat unsatisfactory second novel from Indonesian political dissident Toer (The Fugitive, 1990). Set during the last two years of the 19th century in then- Dutch-ruled Java (now Indonesia), Toer's story of Minke, a Javanese native and everyman of sorts (he has no family name by choice), was first told to the author's fellow political prisoners in the 1970's. Minke, a student and embryonic Javanese nationalist, has broken with his family, who seek advancement through the colonial system, and dreams of becoming a writer who will demonstrate to the world the great talents of the ``Native'' Javanese. But then, while he runs a furniture business on the side and studies, he is introduced to the mysterious Mellema family, who live in a splendid compound in the country. Here, he meets the delicate and beautiful ``mixed race'' girl Annelies, her boorish brother Robert, and their mother, the brilliant and forceful ``Native'' concubine Nyai. Prejudice against ``Natives'' is rampant, and as Minke becomes increasingly involved with Nyai's family intrigues and learns their history, he too becomes part of their tragic destiny. Victims of racial prejudice, Minke and Annelies--who defy convention and marry--are punished by the colonial authorities and must part when Annelies is banished to the Netherlands. A just indictment of the pettiness and cruelty of excruciatingly race-conscious colonialism--and Toer has vividly evoked a special time and place--but the story, unlike the far more subtle and universal The Fugitive, is too obvious a polemic. -- Copyright �1991, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
41 of 43 people found the following review helpful.
One of the great political novels of this century
By Devin Rambo
The Kirkus review printed above damns Toer's novel with faint praise when it states that the book is "too obvious a polemic." Too obvious for whom? I wonder if the reviewer would take the same view of any other number of political novels which were used by their authors as a barely disguised fictional framework to attack flawed or unjust cultural values. Is The Grapes of Wrath too obvious a polemic? Of course not, and neither is This Earth of Mankind. Toer makes no effort to disguise the nature of his critique of the social and political values of colonial Indonesian society. Toer's narrative is brilliant; the characters are vivid and developed so well that we have no trouble identifying with them personally, and yet at the same time they are patently obvious symbols of the different racial and social strata in the world of which the novel is set. Toer has been accused of being overly melodramatic in this novel, and while I think that is a reasonable criticism, I have to disagree. The antagonists here are hissable characters, but Toer plays fair with them. They have a clear rationale for what they do and the justification for their actions may seem reasonable and even honorable to them even if we view it as an outrage. Toer balances this all with a tone that never comes across as angry, although given the hardships he himself has endured would make it perfectly understandable if the novel had been tinged with more brimstone. But the narrative does give one the sense of social and political displacement felt by Minke, the book's narrator, and by the family he meets in whose fate he becomes entangled. In This Earth of Mankind, Toer exposes the evils of a society based on and obsessed with castes of race and money, and in doing so has produced one of the essential political novels of the 20th Century.
0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
This book opened up the world of Indonesian culture to me.
18 of 18 people found the following review helpful.
Amazing window on the story of Java
By Lawrence M. Yoder
I am impressed by this English translation of BUMI MANUSIA, but the original is still more rich and colorful. I lived for a decade 30 miles from Pramoedya's home town of Blora, presumably the B____ from which Minke comes. All of Pram's books were banned then and Pram himself was in the midst of his imprisonment on Buru, but I had discovered what an amazing opening they provided to the world of turn-of-the-century colonial Java. I am a student of Javanese history and culture, but Pram's works, beginning for me with TJERITA DARI BLORA (Stories from Blora), provided a florid vision to the realities of that world for people of every caste of the colonial social structure. Every time I went into a used book shop I searched for his works. THIS EARTH OF MANKIND is in my mind an unparalleled gift to Indonesia and the world, providing innumerable images of the range of human experience in colonial Java. The Kirkus reviewer needs to know that "nyai" is not a person's name but an appelation applied to unofficial "rightless" wives of European men who were part of the colonial system. There were many of them in every town. Read CHILD OF ALL NATIONS to learn how this particular woman became Ndoro Mellema's nyai. Pram's story opens the window for us to see a whole range of human experience heretofore hidden from public view even from present-day Indonesians who were denied access to Pram's works until recent years. The subsequent novels in the quartet carry on the stunning and poignant revelations. Grievously last month when I out of habit looked again for Pram's works in bookstores in Indonesia they had again disappeared from the shelves of major stores! The story goes on.
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